lunes, 21 de octubre de 2013

Trabajo de blogs:

lafamiliaylaescuela2014.blogspot.com
True or false
  1. F.Matemática.
  2. V.
  3. F.juegan con las manos.
  4. F. nombran frutas.
  5. F. el almuerzo es bueno.
  6. F. prefiere comer en su casa porque puede elegir.
  7. V.
  8. V.
elartedeeducar2013.blogspot.com
Read the text and answer:
Skimming:
  1. La temática del texto es Primera Guerra Mundial y movimiento Dada.
  2. Tiene dos subtítulos.
Scanning:
  1. Tristan Tzara, Richard Huelsenbeck, Jean Arp, Hugo Ball, Richard Boix, Marcel Duchamp.
  2. Buscó una alternativa de mostrar los objetos como arte en sí mismos.
Reading in detail:
  1. Considero que no es un movimiento con contenido artístico sino que fue un movimiento vacío en reacción a una situación social dramática.
  2. El arte conceptual se considera que está al servicio de la mente en lugar de estar solo para el agrado de la vista.
historiaenlaescuela2013.blogspot.com

Abstract

En 1929, una nueva revista llamada Annales d'Histoire économique et sociale apareció en Francia, con el trabajo de una nueva generación de historiadores:. Lucian Febvre, Marc Bloch, Fernand Braudel y Ernst Labrousse.
El movimiento fue en busca de una historia más humana, un enfoque en la historia política y militar, se concentrará en el análisis de períodos cortos, tendrá un estilo de narración de los hechos lo que llamaron "filatelia" una mentalidad en la recogida de datos y eventos.
Los Annales querían integrar conocimientos y metodologías de la antropología, la geografía, la sociología, la economía y la psicología, estaban interesados en intervalos de tiempo más largos, la historia social de la vida cotidiana. En esencia, se trataba de una historia analítica que daba a la historia económica y social en una perspectiva a largo plazo, partiendo de una historiografía basada en eventos tradicionales.
Este movimiento se puede dividir en tres fases:
Fase 1 (1920-1945): el movimiento es muy radical y subversivo, se opone firmemente a la tradición de la historia política. (Marc Bloch, Lucien Febvre)
Fase 2 (1945-1968): el movimiento se convierte en una escuela de pensamiento, con sus conceptos principales (estructura-coyuntura) y método (la historia de serie de cambios en el largo plazo). (Fernand Braudel, Ernst Labrousse)

Fase 3 (1968-1989): la escuela se vuelve más fragmentada y traslada su preocupación a la situación socio-económica de la realidad socio-cultural. (Ariel, Bourdieau, Goffman, etc)

unamiradaalahistoria2013.blogspot.com

True or false
  1. F. Pensaron que venían de Asia.
  2. V.
  3. F. Proviene del emisferio Sur.
  4. V.
  5. F. Data de más tiempo.
  6. V.
  7. V.
  8. V.
eduart2014.blogspot.com

Read the text and answer

Skimming
  1. El artículo trata del Pop Art.
  2. Tiene una sola imagen.
Scanning:
  1. Andy Warhol, Roy Lichtenstein, Richard Peltibore, Robert Rauschenberg, James Rosenquist, Tom Wesselmann.
  2. En Gran Bretaña y Estados Unidos.
Reading in detail:
  1. Serigrafía, fotografía, grabado.
  2. Considero que no era una reacción contra el consumismo sino más bien toma lo que la sociedad generaba para hacerlo explícito. 
lamaquinahumana2013.blogspot.com

True or false

  1. V.
  2. V.
  3. V.
  4. F.
  5. V.
  6. V.
  7. V. Recomienda juntarse con gente que da apoyo.
  8. F.

Para realizar un KWL: 
Critical literacy: addressing broad issues
I first heard the term critical literacy in a workshop at the International Reading Association conference. During this session we worked in groups to define critical literacy as building thinking skills that enable students to consider all viewpoints, respect differences, and become more self-aware. North Carolina is changing, and those changes are reflected in classrooms across the state, possibly even yours. The largest groups of new immigrants are Hispanics from Mexico and Hmong from Southeast Asia, not to mention the steady influx of people who have relocated here from New York, New Jersey, and the rest of the United States. The cultural, religious, and ethnic diversity in North Carolina’s schools grows every year, and with this diversity comes opportunity.

Perhaps you’re already using some activities to build critical literacy in your classroom. If you read novels written from the point of view of a child from another culture or set in another country, you’re providing an opportunity for your students to stand in the shoes of another: that is critical literacy. If your students hear stories about people who practice religions different than their own or if they consider the differences between their lives and the lives of people like them who lived through war, the Great Depression, or the Civil Rights movement, that too is critical literacy. If you ask you students to write from the point of view of someone much older than they are, that’s critical literacy. These activities all serve the same purpose: they help the student to see the world through someone else’s eyes, to learn to understand other people’s circumstances and perspectives and to empathize with them.
Children's literature promotes understanding
TEACHERS FACE DIFFICULT SITUATIONS DAILY. Students come to the classroom with very different experiences and circumstances, yet all are expected to transcend those differences, focus on the curriculum, and meet the objectives established by the state. They need help if they are to transcend this wide range of socio-economic, cultural, family, and health circumstances, build understanding, and succeed in school.
Using children’s literature, teachers can help their class through difficult situations, enable individual students to transcend their own challenges, and teach students to consider all viewpoints, respect differences, and become more self-aware. Two approaches will help you get the most out of children’s literature: bibliotherapy, which uses books to help children deal with specific situations; and building critical literacy, the ability to consider various points of view.
Bibliotherapy: dealing with personal situations
When faced with a difficult situation, many parents and teachers look for a book to help explain, to provide a conversation-starter, or to fill in the gaps in their own understanding so as to better address the situation at hand. Bibliotherapy is a term for this strategy, but the name really isn’t important. What matters is that when used correctly, books can heal. Books can promote understanding, provide context, and facilitate conversation.
USING BOOKS TO SPARK DISCUSSION
Some issues, such as bullying or disabilities, affect the entire class and should be discussed as a group. It is essential that you use the book not as a substitute but as a catalyst for discussion. In the ERIC digest article "Using Literature To Help Children Cope with Problems," Wei Tu provides guidelines for selecting and using literature in the classroom and summarizes a five-step approach appropriate for whole-class participation at any grade level:
1.     Identify. Determine and discuss the problem. It should be meaningful, interesting, and appropriate for children.
2.     Brainstorm. Encourage children to think about possible solutions. Listen to and respect all of their ideas. Keep a record of the solutions suggested in case the children want to try more than one.
3.     Select. Help children examine the advantages and disadvantages of various solutions and then choose one that seems workable.
4.     Explore and implement. Let children gather the necessary materials and resources and then, if it is feasible, implement the solution they select.
5.     Evaluate. With the children, observe and discuss whether the solution to the problem was successful. If appropriate, help the children think of changes in the solution implemented, or encourage them to explore new solutions. 
This problem-solving technique provides the catalyst for discussion which is essential to supporting students through traumatic events in their home or school lives. Through guided problem-solving, students can build the capacity to solve problems on their own when they arise.
KWL

K
W
L
Ayuda a los niños a comprender ideas abstractas.
Son de gran apoyo para padres y docentes en temas a veces difíciles de abordar.
¿Realmente son útiles los libros para enfrentar situaciones que vive el niño?
¿Cómo debo abordar la lectura para que cumpla con lo que me interesa abordar?
Los estudiantes vienen a clase con experiencias muy diferentes lo que representa un desafío importante para los docentes. Sobre todo cuando debemos cumplir con un plan de estudios, y cumplir con los objetivos establecidos por el Estado. En muchos casos se dan cuenta que necesitan ayuda para que los alumnos puedan superar esta amplia gama de circunstancias socio-económicas, culturales, familiares y de salud para poder tener éxito en la escuela.
Usando la literatura infantil, los profesores pueden ayudar a su clase a través de planteo de situaciones difíciles pero cotidianas que permiten a los estudiantes de forma tanto individual como grupal  superar sus propios retos,  enseñan a los estudiantes a considerar todos los puntos de vista, respetar las diferencias, y así volverse más conscientes de sí mismos. 
Es esencial que se utilice el libro no como sustituto sino como un catalizador para el debate: Identificar. Determinar y analizar el problema. Debe ser significativa, interesante y apropiada para los niños. Anime a los niños a pensar en posibles soluciones. Escuchar y respetar todas sus ideas. Mantener un registro de las soluciones sugeridas en caso de que los niños quieren probar más de uno.
Seleccionar. Ayude a los niños a examinar las ventajas y desventajas de las distintas soluciones y luego elija una que parezca viable
.Explorar y poner en práctica. Dejar que los niños  reúnan los materiales y recursos necesarios y luego, si es posible, poner en práctica la solución que seleccionen.
Evaluar. Con los niños, observar y discutir si la solución del problema se ha realizado correctamente. En su caso, ayudar a los niños a pensar en los cambios en la solución implementada, o alentarlos a explorar nuevas soluciones. 

Texto para realizar un Abstract:

10 Ways to Promote a First Book

By Aaron Shepard

Printed in the SCBWI Bulletin, June–July 1994
Your first book may be a masterpiece, but first books have a nasty way of getting ignored. Bookstores may not bother to order it. If they do carry it, store personnel may not know it’s on the shelf. Another problem is that, if your book appeals to special audiences, your publisher may not know how to reach them.
My own first picture book was Savitri: A Tale of Ancient India (Whitman, 1992), a retold 3,000-year-old story of a princess who outwits the god of death to save her husband’s life. Here are ten methods I used to boost recognition of the book.

1. Throw a book party. I mailed out 200 invitations to friends, booksellers, librarians, reviewers, and everyone else in my community I wanted to let know aboutSavitri. I didn’t expect them all to come, but I at least made them aware of the book. The party cost me nothing, because I held it at my home, asked friends to bring potluck desserts or beverages, and sold books during the party.
2. Visit local bookstores and libraries. I showed the book to my local booksellers and librarians and encouraged them to order it. From this came several invitations for storytelling/signings, plus a bookstore offer to host receptions for future books.
3. Compile a list of reviewers. Usually your publisher will ask you for a list of periodicals that would be especially interested in your book. If the book appeals to one or more specialized audiences, this is particularly important. From standard library references such as The Encyclopedia of Associations and Ulrich’s International Periodicals Directory, I made a list of Hindu, yoga, and Indo-American publications, including newsletters of major organizations. Having been a professional storyteller, I also listed storytelling publications and children’s radio shows.
4. Compile a list of retailers. Your publisher may ask also for a list of bookstores for special notification. Again, this is most important for a specialized book. From telephone directories at my library, I made a list of bookstores specializing in Eastern religion, along with a smattering of educational resource, feminist, New Age, and museum bookstores. Small, specialized booksellers are often overlooked by publishers’ sales representatives, but can be major sales outlets if your book meets their needs.
Normally, stores on your list are notified by the publisher, but I took care of this myself, so I could add personal notes. In an age of computerized mailings, a scribbled note gets attention!
5. Offer school visits. My first school visit came just a couple of months after publication, from someone on my review copy list. After that, I sent notices of my availability to a number of schools, along with information on me and my book. (Such mailings work best if you follow up with phone calls.)
6. Produce an instructional aid. This is something for use in the classroom in conjunction with your book. Drawing on my experience in reader’s theater, I produced a script adaptation ofSavitri. My hope was that teachers who used the script would also want the picture book to share with students.
As it happened, Whitman’s promotions director declined to use the script in the publisher’s promotional efforts. But it is now posted on my Web site (www.aaronshep.com) and is also included in my published collection of reader’s theater adaptations, Stories on Stage.
7. Join organizations. In order to link up with people who buy and promote books, I joined the Association of Booksellers for Children, the Northern California Children’s Booksellers Association, the Association of Children’s Librarians (for the San Francisco Bay area), the California Reading Association, and the Sacramento Area Reading Association.
The newsletters of these organizations are very informative, and the meetings are great places to get known. For instance, I arranged to read Savitri at a monthly meeting of the Northern California Children’s Booksellers Association—in this way reaching many of the area’s children’s booksellers at one time.
8. Attend events. In the half year after Savitri’s publication, I attended—at my own expense—the American Booksellers Association convention in Anaheim, the American Library Association convention in San Francisco, the Celebration of Children’s Literature at the University of California, Berkeley, and the Northern California Booksellers Association convention in Oakland. At each of these events, I found many opportunities to show the book to people who could help it along. (I also made friends and had a lot of fun.)
9. Write an article. In case you haven’t noticed, this article too was meant as a way to promote the book—as well as a way to share useful information.

10. Work on your next book. There is no end to the ways you can promote a book, or to the time you can spend doing it. But the very best way is to work on your next one. Repeated publication builds your reputation and sales potential better than anything else. So, promote your work, but don’t forget that your readers are waiting for more!

The Value of Children’s Literature
By Martha Crippen 
Giving children access to all varieties of literature is extremely important for their success.  Educators, parents, and community members should help students develop a love and passion for reading. Not only is reading literature important in developing cognitive skills to be able to succeed in a school or work setting, but it is valuable for other reasons as well. Although there are countless values in exposing children to literature, Donna Norton (2010) identifies the value of literature for young people in her book Through the Eyes of a Child. Children’s literature is important because it provides students with opportunities to respond to literature; it gives students appreciation about their own cultural heritage as well as those of others; it helps students develop emotional intelligence and creativity; it nurtures growth and development of the student’s personality and social skills; and it transmits important literature and themes from one generation to the next.
The first value to note is that children’s literature provides students with the opportunity to respond to literature and develop their own opinions about the topic. This strengthens the cognitive developmental domain as it encourages deeper thought about literature. Quality literature does not tell the reader everything he/she needs to know; it allows for some difference in opinion. One reader may take something completely different away from the piece of literature than the next reader, based on the two personal viewpoints and experiences. Students can learn to evaluate and analyze literature, as well as summarize and hypothesize about the topic. Norton says that for children, “wordless picture books are excellent stimuli for oral and written language” (2010, p. 9). Students reading wordless books like A Ball for Daisy (Raschka, 2011), The Yellow Umbrella (Liu, 1987), or The Red Book (Lehmann, 2004) will be able to analyze the illustrations and develop their own dialogue for the story. This strengthens students’ cognitive functions in being able to form opinions on their own and to express themselves through language in summarizing the plot of a wordless book.
Second, children’s literature provides an avenue for students to learn about their own cultural heritage and the cultures of other people. It is crucial for children to learn these values because, “developing positive attitudes toward our own culture and the cultures of others is necessary for both social and personal development” (Norton, 2010, p. 3). In saying this, however, when teaching students about the cultural heritage of others, one should be very careful in selecting which books to recommend to young readers. There are many stories, some folktales, which contain blatant stereotypes and inaccuracies about certain cultural groups. This includes books such as Brother Eagle, Sister Sky (Jeffers, 1991), or The Rough-Face Girl (Martin, 1992). Both of these stories depict Native Americans in a misguided way and contain misinterpretations of what actually occurred in history. For example, the Iroquois tribe in The Rough-Face Girl (Martin, 1992) historically lived in longhouses, but the illustrator depicts these Native Americans as living in teepees. This is a clichéd view, and it can be very damaging in perpetuating stereotypes if we as adults are not cautious in the books we have in our classroom and home libraries. However, there are some children’s books that are more accurate in teaching the cultural differences of others. A story called “Eric” from Tales from Outer Suburbia (Tan, 2009) is a touching story about a family who takes in a foreign exchange student and must learn about their guest and accept the differences between their cultures. It has a positive message about encouraging acceptance of the cultural differences between people, which is something that we want to help nurture in our students. Another book that helps discuss culture is Going Home (Bunting, 1996), which is the story of a Mexican immigrant family with the children who were born in the U.S. There is a difference in what “home” is for the parents and the children, and when they take a trip to Mexico, the children realize how important their parent’s culture and homeland is for them. Many books are available that depict culture as an important piece of society that is to be treasured and valued, and those books can have great value for students.
Third, children’s literature helps students develop emotional intelligence. Stories have the power to promote emotional and moral development. Children’s literature “contains numerous moments of crisis, when characters make moral decisions and contemplate the reasons for their decisions,” an important skill for children to see modeled (Norton, 2010, p. 34). Guji Guji (Chen, 2004), for example, is a story about a crocodile who is adopted into a family of ducks. Ultimately he must choose between betraying his adopted family and going back to his own “species,” and he decides to remain true to his beliefs and not betray his family. The Scar (Moundlic, 2007) is an effective book to read with students in order to teach them about responding to grief, as it is about a boy whose mother dies. This requires a complex level of emotional intelligence, as many young children do not understand death. The topic of death would be more appropriate for an older grade level, but it is an important topic to discuss with students. Another book that encourages emotional intelligence is Selma (Bauer, 2002), which discusses what it takes for a young sheep to be happy. It is a philosophical story within a picture book, and challenges students to think about what happiness really is. The Big Box (Morrison, 1999) is a story about children who have their freedom taken away by being put into a box and the deeper problems that exist with not being given one’s freedom.  Children’s literature encourages students to think deeper about their own feelings.
Children’s literature also encourages creativity. Norton stresses “the role that literature plays in nurturing and expanding the imagination” (2010, p. 4). The House in the Night(Swanson, 2008) depicts the creativity that a young girl has in her dreams at night, as she flies about the dark neighborhood on the wings of a bird. The Amazing Pop-up Music Book(Petty, 1999), Zin! Zin! Zin! A Violin (Moss, 1995), and Look Closer: Art Masterpieces Through The Ages (Desnoettes, 2006)  are imaginative and original books that encourage students to learn about music and art, and they are engaging in their design and interactivity. Children’s literature promotes the development of students’ internal imaginations.
Children’s literature is of value because it fosters personality and social development. Children are very impressionable during the formative years, and children’s literature can help them develop into caring, intelligent, and friendly people. Developmental psychologist Jean Piaget says that when students move from the pre-operational to the operational stage of cognitive development, they become less egocentric. Whereas students in preschool and kindergarten may be entirely focused on themselves, as students grow older they begin to take into account the feelings and viewpoints of others. Being able to understand other people’s viewpoints and to not be selfish are important skills that adults must nurture in children, as Norton says that “acceptable relationships require an understanding of the feelings and viewpoints of others” (2010, p. 27). Children’s literature can foster social development by encouraging students to accept other people and their differences. Books like And Tango Makes Three (Parnell & Richardson, 2005), Molly’s Family (Garden, 2004), Heather Has Two Mommies (Newman & Souza, 1989) andDaddy’s Roommate (Wilhoite, 2000) present situations that might encourage students to become more open-minded to different types of families and understand that love is the most important thing in a family. Children’s literature can also encourage students to develop relationships with people, encouraging social contact. An atypical friendship is depicted in Loop the Loop (Dugan, 1992), where a young child and an elderly person become good friends and share the common joy of playing with yo-yo’s. In A Couple of Boys Have the Best Week Ever (Frazee, 2008), the boys learn to think of the needs of others when they build a diorama for the grandpa who is fascinated with penguins. Literature encourages students to be considerate and friendly people, and these traits may be consistent with developing students into quality citizens.
Finally, children’s literature is of value because it is a timeless tradition, one in which “books are the major means of transmitting our literary heritage from one generation to the next” (Norton, 2010, p. 3). Classic stories like Dr. Seuss’ And to Think That I Heard it on Mulberry Street (Geisel, 1989) and The Cat in the Hat (Geisel, 1957) are important books to read to children because of their literary heritage. For a younger audience, children could build their cognitive and language skills through exposure to Mother Goose rhymes. One example of a good collection of these classic rhymes is Hey Diddle Diddle and Other Mother Goose Rhymes (dePaola, 1998). Children in older grades can learn to appreciate the classic plays and messages of William Shakespeare in picture books that aim to make the plays more accessible. Many versions of Shakespeare’s works are available in abridged and picture book formats, including Romeo and Juliet (Coville, 1999) and The Tempest (Mayer, 2005). Children are only young for a short time, and so we must give them access to a basic literary heritage of timeless books. Quality children’s literature has the great power to captivate audiences for many generations.
Children’s literature is extremely valuable in both the school setting and at home. Teachers and parents should both be able to differentiate between quality and mediocre literature, in order to give students access to the best books to encourage these important values of literature and considering developmental domains. Children’s literature is valuable in providing an opportunity to respond to literature, as well as cultural knowledge, emotional intelligence and creativity, social and personality development, and literature history to students across generations. Exposing children to quality literature can contribute to the creation of responsible, successful, and caring individuals. 

Taken from: http://oneotareadingjournal.com/2012/value-of-childrens-literature/


Abstract
Dar a los niños el acceso a todas las variedades de la literatura es muy importante para su éxito. Los educadores, los padres y miembros de la comunidad deben ayudar a los estudiantes a desarrollar un amor y pasión por la lectura. La literatura infantil ofrece a los estudiantes la oportunidad de desarrollar sus propias opiniones sobre un determinado tema. Esto fortalece el dominio del desarrollo cognitivo, ya que fomenta el pensamiento más profundo de la literatura. La literatura de calidad no le dice al lector todo lo que necesita saber, sino que permite una cierta diferencia de opinión. Un lector puede tomar algo completamente diferente el siguiente lector, basado en  experiencias personales. 
Los libros de imágenes sin palabras son excelentes estímulos para el lenguaje oral y escrito. Los estudiantes leen libros sin palabras, esto les dará herramientas para ser capaces de analizar las ilustraciones y desarrollar su propio diálogo de la historia. Esto refuerza las funciones cognitivas de los estudiantes en la posibilidad de formarse una opinión sobre su propia experiencia y expresarse a través del lenguaje oral. También ofrece una vía para que los estudiantes aprendan sobre su propia herencia cultural y las culturas de otras personas. Es fundamental que los niños aprendan estos valores, ya que el desarrollo de actitudes positivas hacia la propia cultura y  las culturas de los demás es necesario para el desarrollo tanto social como personal.
Por último la literatura infantil ayuda a los estudiantes a desarrollar la inteligencia emocional. Las historias tienen el poder de promover el desarrollo emocional y moral ya que contiene numerosos momentos de crisis, cuando los personajes toman decisiones morales y el niño podrá así contemplar las razones de sus decisiones y al tratarse de situaciones cotidianas para ellos podrán luego aplicarlo a sus vidas.